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    "headline": "You Can See Everything wins all five of its Critics Choice Documentary Awards in New York",
    "description": "Nathan Fielder and Lance Oppenheim shared Best Director for the A24 film about Elizabeth Holmes, while top-nominated 14th went home empty-handed at the Edison Ballroom.",
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    "keywords": "Awards, Critics Choice, Documentaries, Nathan Fielder, You Can See Everything",
    "articleBody": "You Can See Everything went five for five at the 11th Critics Choice Documentary Awards in New York on Sunday night, winning Best Documentary Feature and every other category where it was nominated, including Best Director for Nathan Fielder and Lance Oppenheim. The A24 film follows Elizabeth Holmes, the Theranos founder, and her partner Billy Evans, starting in the 34 days before she reported to federal prison in 2023. Fielder, the comedian behind The Rehearsal and Nathan for You, made his feature directing debut on it. Sunday also brought trophies for David Bolen’s camera work, Adam Locke-Norton’s cut and Ari Balouzian’s music. “This year’s winners reflect the extraordinary creativity, ambition, and innovation shaping documentary filmmaking today,” said Christopher Campbell, the Critics Choice Association’s vice president of documentary. The night’s other math Five wins out of 18 categories is roughly 28 percent of the trophies going to one film. It is also the same haul The Perfect Neighbor took at last year’s ceremony, so a five-win sweep at the top of this show now has a recent precedent. The more striking number sits at the other end. Ava DuVernay’s 14th arrived with six nominations, the most of any film this year, and left with none: the awards it was up for went to You Can See Everything, NAZA and Once Upon a Time in Harlem. That last film, from first-time feature director David Greaves, was the night’s clear second with three wins, for Best First Documentary Feature, Best Archival Documentary and Best Historical Documentary. The remaining trophies spread widely. John Wilson took Best Narration for The History of Concrete, EPiC: Elvis Presley in Concert won Best Music Documentary, Musk won Best Biographical Documentary, Nuisance Bear won Best Science/Nature Documentary and Everest: The Other Side won Best Sports Documentary. True crime produced a tie. Ron Howard received the Critics Choice Impact Award from Frank Oz, and Jehane Noujaim accepted the Pennebaker Award from Chris Hegedus, the widow and collaborator of D A Pennebaker. Ross Mathews hosted at the Edison Ballroom. A documentary doing blockbuster business Awards are only half of why this one matters to the industry. Released October 16, You Can See Everything has taken about $80 million worldwide on a reported $7 million budget, which works out to roughly 11 times its production cost before marketing and exhibitors’ shares are counted. Nearly all of that money is domestic, with $79.7 million from the US and Canada and only $204,455 from elsewhere so far, because the international rollout has barely started. It opened to $15.6 million, the second-best debut ever for a non-musical documentary behind the $23.9 million of Fahrenheit 9/11 in 2004, then grew 20 percent in its second weekend after expanding to 2,655 theaters. In its third weekend it reached number one, the first non-musical documentary to do that since Fahrenheit 9/11. Where the film goes next The association says its main Critics Choice Awards have historically been the most accurate predictor of Oscar nominations, a claim that covers the January 3, 2027, ceremony and not this documentary show. The next stops on the calendar are close. The Hollywood Music in Media Awards, where Balouzian is up for his score, fall on November 18. The film opens in the UK and Ireland on November 20, and the Gotham Awards follow on November 30, with the film nominated for Best Documentary and the Audience Award. Further reading Wikipedia: You Can See Everything Wikipedia: 11th Critics’ Choice Documentary Awards Illustrative image. Image: Jennifer 8. Lee, CC BY-SA 4.0 via Wikimedia Commons This article was produced with AI assistance and reviewed by our Editorial Desk. How we work.",
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