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    "headline": "Bong Joon Ho&#8217;s The Host returns to US theaters in 4K on November 21 and 23, 20 years after its Cannes de",
    "description": "Bong Joon Ho's 2006 monster film The Host returns to US theaters in a 4K restoration from Magnolia Pictures on November 21 and 23.",
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    "keywords": "Bong Joon Ho, Magnolia Pictures, Song Kang-ho, The Host",
    "articleBody": "Twenty years after its monster first crawled out of Seoul&#8217;s Han River, Bong Joon Ho&#8217;s The Host is heading back to American cinemas in a new 4K restoration. Magnolia Pictures, the same company that first released it in the US in 2007, lists the film in theaters on November 21 and November 23, with a digital release following on November 30. The screenings come with an exclusive conversation with Bong, the Oscar-winning director of Parasite, according to Magnolia&#8217;s announcement of the restoration. The studio&#8217;s October announcement had given November 20 as the opening; its own site now lists the two dates above. The film that made Bong a global name The Host stars Song Kang-ho as Park Gang-du, a dozy snack-bar worker by the river whose teenage daughter, played by Go Ah-sung, is snatched by an amphibious creature. Byun Hee-bong, Park Hae-il and Bae Doona play the father, brother and sister who break out of a government quarantine to hunt for her. It was Bong&#8217;s first movie with visual effects, and his budget was tight. Of roughly $11 million, about $4.5 million went on more than 100 effects shots handled by the American studio The Orphanage, with New Zealand&#8217;s Wētā Workshop modeling the creature. The opening scene drew on a real February 2000 case in which an American civilian at a US military mortuary in Seoul ordered some 470 bottles of formaldehyde poured down a drain feeding the Han. A 20-year timeline May 21, 2006: an unfinished cut premieres in the Directors&#8217; Fortnight at Cannes. July 27, 2006: South Korean release on a then-record 620 screens; it ends its run with 13,019,740 admissions and becomes the country&#8217;s top-grossing film. March 9, 2007: Magnolia opens it in the United States. 2011: a 3D remaster premieres at the Busan International Film Festival. 2019: a long-planned sequel, The Host 2, is reported canceled; a Universal remake announced in 2008 never reached cameras. 2024: a 10-meter sculpture of the monster is removed from Hangang Park after locals complained about it. November 2026: the 4K restoration returns to US theaters. Small in America, huge everywhere else The numbers explain why a theatrical return matters. Box office trackers put the film&#8217;s take in the US and Canada at about $2.2 million, against a worldwide total of roughly $89 million to $93 million. Using $90 million as a midpoint, North America supplied only about 2.4% of the money. Many American fans found it later on DVD, which arrived in July 2007, and then streaming. Its influence ran far beyond those ticket sales. The writers of A Quiet Place have credited it, the director of Kong: Skull Island cited its early, in-daylight reveal of the monster, and in March 2025 Takashi Yamazaki told Bong that The Host had inspired him. Yamazaki&#8217;s own sequel just set a record in North America, as covered in our report on Godzilla Minus Zero&#8217;s record opening weekend. The filmmakers behind Netflix&#8217;s KPop Demon Hunters, Maggie Kang and Chris Appelhans, have also named The Host&#8217;s tone as an influence; Kang chose it for a screening at the 30th Busan festival. Their film&#8217;s reach is still growing, as our piece on Netflix&#8217;s official Golden dance video shows. Viewers in the early 2020s also found the film newly pointed: its government-declared virus, quarantines and face masks played very differently after COVID-19. The restored version runs 119 minutes and is rated R, and it reaches digital platforms on November 30. Further reading Wikipedia: The Host (2006 film) Wikipedia: Bong Joon Ho Illustrative image. Image: Michael Sean Gallagher, CC BY-SA 2.0 via Wikimedia Commons This article was produced with AI assistance and reviewed by our Editorial Desk. How we work.",
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